Broadsheet features article on the Glasgow Miracle project

broadsheet issue 28The current issue of Broadsheet, the Scottish Council on Archives journal, features an article on the Glasgow Miracle project. To read the article, click here: Broadsheet, Issue 28 (the article is on pages 15-16).

For more from the Scottish Council on Archives, visit their website. And to find out about the Glasgow Miracle project visit the project website and the project blog.

Advertisements

New Glasgow Miracle blog post

his is a photo of some of the original folder labels containing outreach to other countries and international artists.

This is a photo of some of the original folder labels containing outreach to other countries and international artists.

There’s a new, very interesting, post on the Glasgow Miracle blog about the importance of location and access in archives. See the post here.

Take a look at our website for more information about the Glasgow Miracle project.

Final programme for “Giving up the Archive?” study day announced

We now have a final programme for ‘Giving up the Archive?’ study day on 1 July examining the archives of arts organisations – see details and information on bookings below:

Giving up the archive?

Reflections on the creation, examination and dissemination of arts organisations’ archives.

1 July 2013, White Cube Gallery, Bermondsey SE1 3TQ

Many arts organisations are interested in locating and exploring their archival heritage. What are the driving forces behind this interest? How much archive material survives, where and in what condition? What can archives tell us about the history of these organisations and how important are they to their contemporary activities? This study day aims to explore these questions, providing reflections and case studies from academics, curators, artists and archivists.

Organised by ARLIS\UK & Ireland in partnership with The Glasgow School of Art and Glasgow’s Centre for Contemporary Art.  Supported by funding from the Arts and Humanities Research Council.

10.30-11.00 Coffee and registration

11.00-11.20 Welcome: ARLIS

Introduction to the morning session: Dr Dominic Paterson (Chair)

Dr Dominic Paterson works at the University of Glasgow where he teaches 20th and 21st century art and theory.  He wrote his doctoral thesis on the place of aesthetics in the work of French philosopher Michel Foucault, and his research interests include critical theory as well as modern and contemporary art.   Dominic organised and introduced a series of talks and film screening events as part of the Glasgow International Festival of Visual Art , which expanded upon the Festival’s theme of ‘past, present, future’. Including artists Susan Phillipsz, Gerard Byrne and Jimmie Durham.

http://www.gla.ac.uk/schools/cca/staff/dominicpaterson/

11.20-11.50 Stories from the archive: Dr Francis McKee

Francis McKee will examine the process of archiving both the Third Eye and CCA material in Glasgow which ranges from 1973 to the present. He will look in particular at the discovery and digitisation of 150 video tapes from the early 1970s and how they transform our understanding of that period in terms of Scottish and British video art history. Following on from this he will look at the wider understanding the archives give us of the development of contemporary UK art over the past 40 years and the genesis of the national and international networks that enabled this growth.

http://www.gsa.ac.uk/research/supervisors-plus-students/primary-supervisors/m/mckee-francis/

11.50-12.20 The artist’s voice : Ross Sinclair

http://www.gsa.ac.uk/research/supervisors-plus-students/primary-supervisors/s/sinclair-ross/

Working in Glasgow and internationally as a practicing artist, Ross Sinclair has utilised sculpture, video, painting and text to interrogate how different formal approaches can contribute to the construction and dissemination of meaning and the paradigm of art practice in context in relation to audience. Sinclair is currently looking back on the development the dynamic and critically respected art scene in Glasgow over the past twenty five years through the methodology of interviews with his artist peers.  A selection of extracts with artists such as Martin Boyce, Susan Philipz and Douglas Gordon will be screened for the first time, alongside a reflection of Sinclair findings during his research.

“What lies at the heart of any situation, any scene, any place, any history, any geography, any relationship? How do we come to understand it? What elements have inexorably bound together to form it’s essential core and how can we begin to unravel it, dissect analyse and contextualise the meaning? Is this Miracle-ism to be seen in relation to what came before…and what happened after – and what is happening now, and what might develop in the future…?”

12.20-13.00 Keynote: Gerard Byrne, Case Study: Loch Ness (Some possibilities and problems)

Revisiting and reanimating historical moments to be considered in the present, Gerard Byrne’s work has been exhibited at Documenta 13, the 54th Venice Biennale, and in previous Sydney, Gwangju, Lyon, and Istanbul biennales. Recent solo exhibitions include Whitechapel Art Gallery, London, 2013, Gulbenkian Foundation, Lisbon, 2012, IMMA, Dublin, the Renaissance Society, Chicago (2011), and at the 2007 Venice Biennale, where he represented Ireland.  In 2006 he was a recipient of the Paul Hamlyn award. He is represented by the Lisson Gallery in London, Green on Red Gallery in Dublin, and Nordenhake Gallery, Stockholm. He has been a professor at the Royal Danish Academy for Fine Art since 2007.

13.00-14.00 Lunch

14.00-14.10 Introduction to the afternoon session: Dr Julie Bacon (Chair)

Julie Louise Bacon’s research focuses on the relationship between: aesthetics and politics, art and philosophy, technology and consciousness, mythologies and archiving.  Julie Louise has curated wide-ranging events including: the art and network technology symposium SIGNAL (La Chambre Blanche, Quebec, 2012); the public art symposium The Clearing (London, 2010) ;the five-part AHRC conference and exhibition series Performing the Archive (sites throughout the UK, 2006-07), the Fix performance biennial (Catalyst Arts, Belfast, 2004), The Suicide of Objects (Catalyst Arts/The Ulster Museum, Belfast, 2004).

http://www.kent.ac.uk/arts/staff-profiles/profiles/fine_art/j-l-bacon.html

14.10-14.40 Archiving new media:  Beryl Graham

CRUMB is a resource for curators of new media art, and includes a web site and a discussion list with over 1300 international subscribers. How can such ‘crowd-sourced’ knowledge be digested and re-presented? Given that many art forms and archives are participatory, including new media systems, how might audience-generated archives reflect a future ‘history of exhibitions’? Beryl Graham is co-editor of CRUMB, co-author with Sarah Cook of the MIT book “Rethinking Curating”, and recently edited a book on “New Collecting” for Ashgate Press.

www.crumbweb.org

14.40-15.10 Documenting the visual arts in Ireland: Donna Romano

Donna Romano is Acting Librarian at the National College of Art & Design Ireland, which is home  to The National Irish Visual Arts Library (NIVAL), a public research resource dedicated to the documentation of 20th century and contemporary Irish visual art and design.  NIVAL collects, stores and makes accessible for research an unparalleled collection of documentation about Irish art in all media.  NIVAL’s collection policy includes Irish visual art from the whole island as well as Irish art abroad and non-Irish artists working in Ireland.   Information is acquired on artists, designers, galleries, arts organisations and institutions, critics and other related subjects.

http://www.nival.ie/

15.10-15.40 Shared archives: Marysia Lewandowska

Marysia Lewandowska is a Polish born artist based in London since 1985 who, through her collaborative projects, has explored the public function of media archives, collections and exhibitions in an age characterized by relentless privatization. She has been collaborating with Neil Cummings 1995-2008. Research has played a central part in all her projects which include the book The Value of Things (Birkhauser/August 2000), Capital at Tate Modern (2001). Enthusiasm project has been shown at the CCA Warsaw, Whitechapel,London, Kunst Werke in Berlin and Tapies Foundation Barcelona in 2005-2006. The film Museum Futures: Distributed Moderna Museet in Stockholm in 2008, and Tender Museum at the Muzeum Sztuki, Lodz, 2009. Intellectual Property was a subject of How Public is the Public Museum? Moderna Museet, Stockholm 2010.  Since 2003 she is a Professor of Art in the Public Realm at Konstfack in Stockholm.

www.marysialewandowska.com

15.40-16.10 Panel discussion (afternoon’s speakers including key note)

16.10       Drinks reception

 

When: 1 July 2013, 10am-4pm approx.

Cost:

ARLIS members £75

ARLIS students £43

Non-ARLIS £90

Non-ARLIS student £53

Email the giving_up_the_archive_booking_form to bookings.art@gmail.com or post to Lorraine Blackman, ARLIS Administrator, GSA Event, Victoria and Albert Museum, Cromwell Road, London, SW7 2RL.

Refreshments will be provided during the day: a drinks reception will be provided after the event, please indicate in your booking email if you do not wish to attend.

“Giving up the Archive?” study day, London, 1st July 2013

Reflections on the creation, examination and dissemination of arts organisations’ archives.

1 July 2013, White Cube Gallery, Bermondsey SE1 3TQ

Many arts organisations are interested in locating and exploring their archival heritage. What are the driving forces behind this interest? How much archive material survives, where and in what condition? What can archives tell us about the history of these organisations and how important are they to their contemporary activities? This study day aims to explore these questions, providing reflections and case studies from academics, curators, artists and archivists.

Organised by ARLIS\UK & Ireland in partnership with The Glasgow School of Art and Glasgow’s Centre for Contemporary Art.  Supported by funding from the Arts and Humanities Research Council.

Contributors will include Dr Dominic Paterson (University of Glasgow); Ross Sinclair; Marysia Lewandowska; Dr Julie Bacon (University of Kent);  Dr Francis McKee (CCA Director and GSA Research Fellow); Prof Beryl Graham (CRUMB at University of Sunderland); and Donna Romano (NIVAL).

Who should attend: Curators, Academics, Artists, Archivists

When: 1 July 2013, 10am-4pm approx.

Cost:

ARLIS members £75

ARLIS students £43

Non-ARLIS £90

Non-ARLIS student £53

Email the giving_up_the_archive_booking_form to bookings.art@gmail.com or post to Lorraine Blackman, ARLIS Administrator, GSA Event, Victoria and Albert Museum, Cromwell Road, London, SW7 2RL.

Refreshments will be provided during the day: a drinks reception will be provided after the event, please indicate in your booking email if you do not wish to attend.

Third Eye Centre Bookshop, 1980s

Third Eye Centre Bookshop, 1980s

 

New posts on Glasgow Miracle project blog

Not one, not two, but three new posts by project volunteers on the Glasgow Miracle project blog for you.

Demarco_065

Visit the blog to read the articles:

Social Culture and Special Unit Sculpture

The 1990 TSWA Four Cities Project in Glasgow and the proposals that never materialised 

The National Archives of Scotland

Archives and Collections Centre Projects: New website feature!

GSA The Magazine, digitization project, 2010-2011

GSA The Magazine, digitization project, 2010-2011

We’ve revamped our website! You can now find out lots of information about the sorts of projects the Archives and Collections Centre has been involved in over the past few years.

From conserving the Mackintosh Building, digitizing our collections and being involved in various exhibitions and events to working on research and documentation projects such as the Glasgow Miracle and the Gillespie, Kidd and Coia architecture project, please do have a look at the website to find out more about what we’ve been up to.

If you are interested in working with the Archives and Collections Centre as part of a collaborative and/or creative project, please get in touch, we’d love to hear from you.

Gillespie, Kidd and Coia, research and cataloguing project, 2006-2009

Gillespie, Kidd and Coia, research and cataloguing project, 2006-2009

New Glasgow Miracle blog post

Volunteer archive researcher Cedric Tai shares more of his thoughts about his work on the Glasgow Miracle project… Visit the Glasgow Miracle blog to read about the ways in which the Third Eye Centre archive illustrates how the centre saw itself as a source of education and a place to consider social and contemporary issues but all the while had to balance this with accessibility.

This is an image of a publication between Acme, SPACE and the Arts Council of Great Britain, The image is courtesy of the Third Eye Centre/CCA

This is an image of a publication between Acme, SPACE and the Arts Council of Great Britain, The image is courtesy of the Third Eye Centre/CCA