McLaren 2014

To celebrate the centenary of Norman McLaren a number of exhibitions, workshops and events are being held as part of the McLaren 2014 festival.

Image courtesy of McLaren 2014.

Image courtesy of McLaren 2014.

One such event was a performance of the short films Seven Till Five, which documents a day’s activities in the art school, Camera Makes Whoopee – an amusing account the preparation and event of a student ball –  and Hell Unlimited accompanied by the Glasgow Improvisers Orchestra. Providing a truly unique performance this event started with a talk that highlighted the techniques and traits that McLaren’s work became known for (in particular his innovative use of animation) and exposed a new audience to the work of an alumni of the school.

Image courtesy of 'McLaren 2014' website.

Image courtesy of McLaren 2014.

Running from the 11th April to the end of the Commonwealth Games on the 3rd August here you will find a programme of events that will show McLaren’s work and give you the opportunity to try your hand at it too.

 

McLaren 2014 Poster

McLaren 2014 Poster

 

 

 

 

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Helen Biggar: Hell Unltd screening tonight at GFT

Tonight sees the rare screening of Hell Unltd, a film by acclaimed director Norman McLaren and less well known director and fellow GSA alumnus Helen Biggar.

Kim Moore (Zoey van Goey) was commissioned to create a live score to accompany the screening

Kim Moore (Zoey van Goey) was commissioned to create a live score to accompany the screening

Glasgow School of Art graduate Helen Biggar (1909–1953) created one of the UK’s most influential anti-war films with Norman McLaren just as the Spanish Civil War began. Hell Unltd (1936) is presented for the first time with a specially commissioned live score performed by Kim Moore (Zoey van Goey) and Gareth Griffiths. Kim Moore visited the Archives and Collections Centre recently to research Helen Biggar using materials from the School’s institutional archives. She also got to see some of Biggar’s work (2 pieces (pictured below) have recently been donated to the Archives and Collections by a family member).

Fawn by Helen Biggar, c1930s

Fawn by Helen Biggar, c1930s

Maime Biggar, the artist's younger sister, c1945

Maime Biggar, the artist’s younger sister, c1945

The live performance will be preceded by a rare screening of Traces Left (1983), a documentary about the Glasgow art and political scene in the 1930s and 40s, which focuses in particular on Helen Biggar.

The event marks International Women’s Day and the contribution of women artists in Glasgow. For more information, visit the GFT event page or this really good blog.