Something Old, Something New

As you may have noticed from our recent posts, we have been looking at how archives can inform future decisions and inspire new creations. To join the recent opening of the Anchor Line Restaurant that took inspiration from the University of Glasgow’s Anchor Line Ltd company archive, the BBC project Artist and Archive: Artists Moving Image at the BBC has recently concluded and the artist’s pieces are now online!

Left to right: Stephen Sutcliffe, Kathryn Elkin, Torsten Lauschmann, Luke Fowler, Kate Davis,and Alia Syed  Image courtesy of the BBC

Left to right: Stephen Sutcliffe, Kathryn Elkin, Torsten Lauschmann, Luke Fowler, Kate Davis,and Alia Syed
Image courtesy of the BBC

As part of this project (see our past post for the project’s original details) the six artists chosen have worked over the course of 6 months to create new moving-image artworks that take footage and inspiration from the BBC’s large film archive. All of these films can now be watched on the BBC’s website here.

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BBC announces six artists chosen to be part of Artists and Archive: Artist Moving Image at the BBC

The BBC has chosen the six Scottish moving image artists who will be given access to explore the BBC archives in order to create their own artworks inspired by classic and lesser-known BBC programmes from throughout its history. The selected artists are Kate Davis, Kathryn Elkin, Turner Prize-nominated Luke Fowler, Torsten Lauschmann, Alia Sayed and Stephen Sutcliffe.

BBC Scotland, Creative Scotland and LUX arts agency have partnered to create Artists and Archive: Artist Moving Image at the BBC, a unique and unparalleled initiative that for the first time will create six new moving image works to be hosted online at bbc.co.uk/arts and around the country. This initiative marks the start of the BBC’s on-going commitment to allow artists access to archives.

Jonty Claypole, Head of Arts for BBC Productions, says: “We were bowled over by the quality of moving image artists in Scotland and are looking forward to seeing what the chosen six are able to produce. The BBC Archive is a rich and unrivalled resource so this is a unique opportunity for some of Scotland’s most interesting artists to create an eclectic mix of new works. We want to learn from these artists and see the archive used in new ways.”

Leonie Bell, Director of Arts and Engagement at Creative Scotland, says: “Creative Scotland is delighted to be supporting LUX to deliver these residencies in partnership with BBC Scotland through the Creative Futures Programme. The BBC archive is a rich resource that will offer these artists significant source material and access to production facilities, allowing them to develop their practice and create wonderful new works.”

The six artists are:

Kate Davis

Born in New Zealand, Kate Davis lives and works in Glasgow. Questioning how to bear witness to the complexities of the past, Davis’s artwork is an attempt to reconsider, reclaim and reinvent what certain histories could look, sound and feel like. Informed by successive waves of feminist art and theory, Davis works across a range of media, including drawing, installation, bookworks and film/video.

Kathryn Elkin

Kathryn Elkin works predominantly in performance, video and writing. She is a graduate of Glasgow School of Art, Goldsmiths College and participated in the LUX Associate Artists Programme 2012/13. Her work concerns a comparison of the way in which we experience art to the ways and means it is understood culturally.

Luke Fowler

Luke Fowler (born 1978) is an artist, filmmaker, and musician based in Glasgow. He collaborates regularly with Richard Youngs, Eric La Casa, Toshiya Tsunoda and Lee Patterson. Fowler was awarded the inaugural Derek Jarman Award in 2008 and, in 2012, he was shortlisted for the Turner Prize. His latest film, The Poor Stockinger, The Luddite Cropper And The Deluded Followers Of Joanna Southcott won awards at the Mexico and Lima film festivals.

Torsten Lauschmann

Torsten Lauschmann’s diverse practice continually shifts and plays with expectations of images and the interpretation of meaning. He is concerned with both the aesthetic content of images and the ‘decoding’ of meaning and narrative. Since moving to Glasgow in 1993 to study Fine Art Photography at Glasgow School of Art, Lauschmann has been exhibiting, screening and performing his work throughout the UK and internationally.

Alia Syed

Alia Syed is an experimental filmmaker and artist. She grew up in Glasgow, moving to London at 17. She earned a Bachelors in Fine Arts from University of East London in 1987 and a Postgraduate degree in Mixed Media from Slade School of Fine Art in 1992. Syed’s work has been screened and exhibited in museums, galleries, and festivals worldwide, including at the Museum of Modern Art (MoMA) in New York, Museo Nacional Centro de Arte Reina Sofia in Madrid, Institute of International Visual Arts (inIVA) in London, and the Talwar Gallery, which has represented her for over a decade, in New York and in New Delhi.

Stephen Sutcliffe

Stephen Sutcliffe (born 1968, Harrogate) lives and works in Glasgow. Recent solo exhibitions include Tramway, Glasgow (2013) Rob Tufnell, London (2012), Stills, Edinburgh (2011), Whitechapel Auditorium (2010), Cubitt, London (2009), Galerie Micky Schubert, Berlin (2008) and Art Now, Light Box, Tate Britain (2005). Group exhibitions include: Frieze Projects, ‘Project 35’, Independent Curators International, touring to various venues in the United States (2010), ‘The Associates’, Dundee Contemporary Arts (2009) and ‘Nought to Sixty’ and ‘Talk Show’ at the ICA, London (2008 and 2009 respectively).

New display in GSA Library: Anatomy at The Glasgow School of Art

You may have noticed a couple of new displays in GSA Library over the last few weeks. While one of these displays, the one on Level 2, is devoted to Talwin Morris and bookbinding, GSA Archives and Collections and Library staff have dedicated the other to anatomy.

Anatomy drawing has historically formed an important part of art education. Up until 1900, Glasgow School of Art followed the National Course of Instruction, or the South Kensington system. Of the 23 stages that the system prescribed, Stage 9, “Anatomical studies”, included drawing from the human figure, animal forms and from nature.

GSAA/P/1/783 – Photographs of students in the Anatomy Room, c1910

GSAA/P/1/783 – Photographs of GSA students in the Anatomy Room, c1910

Glasgow School of Art’s Archives and Collections holds a selection of material related to the history of anatomy drawing at the School, including prospectuses which outline the place of anatomy drawing in the School’s curriculum; photographs of students drawing in the School’s Anatomy Room; anatomy drawings by former students of the School; lantern slides of anatomical subjects; and some correspondence related to the teaching of anatomy drawing, such as a letter from the Director to Professor Bryce, Regius Professor of Anatomy at Glasgow University, requesting permission for GSA anatomy students to work at the
University.

Cricket, Over Arm Bowling n°69, plate 290 – assorted plate from Animal locomotion: an  electro-photographic investigation of consecutive phases of animal movements by  Eadweard Muybridge, c1887

Cricket, Over Arm Bowling n°69, plate 290 – assorted plate from Animal locomotion: an
electro-photographic investigation of consecutive phases of animal movements by
Eadweard Muybridge, c1887

GSA Library holds a number of rare anatomical treatises in its Special Collections, which have served as inspiration to renowned artists such as Christine Borland and more recently Kate Davis for her exhibition ‘Not Just the Perfect Moments’ in 2012. The Library is also lucky to hold a number of original 1887 plates from Eadweard Muybridge’s seminal photographic study Animal Locomotion. In total the library holds a representative selection of 63 plates from Muybridge’s total set of 781, which were purchased for the use of GSA students in June 1917. More information about the Muybridge plates can be found on the GSA Library Treasures blog.

The display is located on the mezzanine level of the Library (Level 1), just before the stairs up to Level 2. An introduction, captions and bibliographies with suggestions for further reading can also be found in the ‘Library Display Cabinets’ folder as part of the Archives and Collections course on the VLE. Call in at the librarians’ office on Level 2 or at the Archives and Collections Centre in the basement of the Mackintosh Building for more information (you can also email Delpine Dallison, d.dallison@gsa.ac.uk, or Michelle Kaye, m.kaye@gsa.ac.uk with any questions).

Look out for future posts about our library displays here and on the Library’s GSA Library Treasures blog.